HELEN DILKES

Helen Dilkes, Fluidifying... exploding a surface, arcing trajectories of an idea, 2023, neck piece, nylon laser sintered, acrylic paint, gesso, silk cord, 150 x 150 x 150mm. Photograph: Fred Kroh.

Helen Dilkes, Fluidifying... exploding a surface, arcing trajectories of an idea, 2023, neck piece, Australian timber veneers (residue from industry) 0.7mm thick x 5, 150 x 150 x 150mm. Photograph: Fred Kroh.

Helen Dilkes, Internal boundary, 2021, copper wire, pigment, shellac, canvas, 150 x 300 x 45mm

Helen Dilkes, Unity-Multiplicity... self-intersecting surface with hole, Mildura dust, earrings, 2013/2020, Nylon (SLS, selective laser sintering), Australian sienna and umber acrylic paint, 925 silver, 50 x 50 x 35mm

Helen Dilkes, Unity-Multiplicity... Riemann self-intersecting surface, Mildura dust, earrings, 2013/2020, Nylon (SLS, selective laser sintering), Australian sienna and umber acrylic paint, 925 silver, 50 x 50 x 35mm

Helen Dilkes, Unity-Multiplicity... self-intersecting surface with hole, earrings, 2013/2019, resin (SLA, stereo-lithography technology), pearlescent pigment, 750 gold, 50 x 50 x 35mm. Photograph: Fred Kroh

Riemann surface puffier… transparent, neck piece, 2017, resin, silk, linen, 90 x 90 x 60mm. Riemann surface puffy… transparent, neck piece, 2019, resin, silk, linen, 70 x 70 x 50mm. Photograph: Helen Dilkes

Helen Dilkes, Fluidifying, exploding body… event in the making, 2018, iridescent foil, resin, acrylic sheet, 999 silver, 925 silver, 450 x 450 x 450mm, and sound (iPad). Photographs: Mark Ashkanasy

Helen Dilkes, Unity-multiplicity…. fluidifying, hollow form, 2017, gypsum, ink, resin, 200 x 200 x 140mm.

Triangulating Riemann surface, hollow form, 2015, acrylic, glue, 300 x 300 x 270mm. Photograph: Jeremy Dillon

Aluminium Riemann, sculptural, 2016, aluminium, 85 x 85 x 35mm. Photograph: Jeremy Dillon

Aluminium Riemann, neckpiece, 2016, 22kt gold wire, aluminium, 35 x 85 x 85mm. Photograph: Jeremy Dillon

Exploding the surface – boundary, sculptural, 2016, stainless steel, 500 x 500 x 250mm. Photograph: Jeremy Dillon

Metal alloys Riemann… , sculptural, 2015, 24kt gold, 999 silver, 925 silver, shibuichi, 65 x 25 x 6mm. And poster-sized 1000 x 600mm. Photograph: Jeremy Dillon

I am a unity that is multiple and a multiplicity that is one, sculptural, 2014, 0.6mm Australian timber veneers – Marri, Jarrah, Murray River Red Gum, Queensland Myrtle, Victorian Ash, Sydney Blue Gum, Spotted Gum, 285 x 285 x 170mm. Photograph: Jeremy Dillon

Self-intersecting forms, sculptural, 2014, blue foam, Birch ply, 0.6mm Australian timber veneer, 270 x 270 x 180mm. Photograph: Jeremy Dillon

Developable surface, 2013, 14kt gold, 925 silver, silver solder, 45 x 75 x 45mm. Photograph: Jeremy Dillon

Continuous surface, 2013, nylon, 65 x 40 x 65mm. Photograph: Jeremy Dillon

This work is held in a private collection

Riemann surface, 2013, wax, white foam-core board, filler, 65 x 40 x 65mm. Photograph: Jeremy Dillon

Riemann surface, 2013, 925 silver, 65 x 40 x 65mm. Photograph: Jeremy Dillon

Multiplicity… vessel… 5 ellipses, 2012, plaster, ink, resin, 50 x 100 x 100mm. Photograph: Jeremy Dillon

Multiplicity... vessel... 5 ellipses, 2012, 12 Australian timber veneers – Western Red Cedar, Marri, Jarrah, Murray River Red Gum, Queensland Cedar, Queensland Myrtle, Tasmanian Myrtle, Sydney Blue Gum, Spotted Gum, Victorian Ash, Kwila, Queensland Walnut, wood glue, 65 x 85 x 85mm. Photograph: Jeremy Dillon

Duration… recollection, conic slice, cone with plinth, wearable, 2010, selective laser sintered (SLS) nylon, 115 x 100 x 45mm. Photograph: Jeremy Dillon

Duration… recollection: Cone, sculptural, 2010, alloys of copper silver, gold including: 999 silver, 925 silver, shakudo, shibuichi, 85 x 35 x 35mm. Photograph: Jeremy Dillon